FPG Sounds: Adrian Lane, ‘On That Bridge, My Footsteps Didn’t Make Much Noise’

The second commission as part of ‘FPG Sounds’, an online project to support the development of new sound works by artists from or based in Southend-on-Sea. For this commission, artist Adrian Lane has composed and created a series of musical instrumentations inspired by locations, sounds and textures across Southend-on-Sea, including areas such as Priory Park, Prittle Brook, East Beach and Gunners Park. Using field recordings from each location, as well as the use of strings, flutes and ambient synth music (each performed by Lane), the work attempts to evoke the emotion and essence of each environment, explored with affection by the artist over lockdown with his family.

“On a slightly rainy Sunday morning in December, myself and my children went for a walk in Priory Park over to the fishing ponds. The wooden bridge made surprisingly little noise, as my daughter stamped over it, and captured the sounds it did make with my sound recorded. From this, I built up a slightly melancholy, wintry flute and string quartet-based piece”.

Adrian Lane creates instrumental neo-classical, ambient music and abstract textural mixed media paintings. A painter by profession, Adrian often works on music and paintings simultaneously, his painting process is reflected in his musical compositions – layering, cutting, and moving parts around, until the finished result is achieved. Employing a combination of age-old instruments (alto and baritone bowed psalteries, acoustic guitar, violin, banjo, zither, glockenspiel, piano) but constructed in a way that could only be achieved with modern technology, Lane often takes influences from early music, folk, world and contemporary classical, ambient and electronica.

Find out more here: https://www.fpg.org.uk/exhibitions/adrian-lane